Even if you were chronologically decades or maybe generations younger than Gerald, you
always felt that he was the youngest person in the room. He had none
of that feeling that you were hanging out with a guy from the 1930s
or 1940s.
Loren
Schonberg, National Jazz Museum
The versatile jazz trumpeter,
bandleader, composer and arranger Gerald Wilson died on September 8 in Los Angeles at the age of 96, after a brief bout with pneumonia.
His career spanned eight decades; he was active well into his
nineties. He was known for his complex, multi-textured but swinging
arrangements, and for his active style of conducting. With his
flowing mane of white hair, his flamboyant gestures served to cue the audience
to what to listen for.
Gerald Stanley Wilson was born in Shelby,
Mississippi on September 4, 1914. He learned piano from his mother,
a music teacher in the public schools. After a brief stay in
Memphis, he moved to Detroit when he was 16, where he graduated from
Cass Technical High School. After playing briefly with local bands,
he was hired by Jimmie Lunceford to replace trumpeter Sy Oliver. It
was there he learned composing and arranging. One of his songs was
the 1941 Lunceford standard, “Yard Dog Mazurka.” The song was later
stolen by Stan Kenton and recorded under the title “Intermission
Riff.”
Wilson served in the Navy during World
War II. He first formed his own big band in 1944. Featuring such
musicians as trumpeter Snooky Young and trombonist Melba Liston, the
band combined swing arrangements with bebop solos. He recorded many
single records between 1945 and 1954, but they are hard to find.
Here he is doing a version of “One O'Clock Jump” for the Black
& White label in 1946.
At a time when big band bookings were
hard to come by, he broke up and reformed the group several times.
During hiatuses, he played with Count Basie and Dizzy Gillespie and
accompanied Billie Holiday on tour of the South in 1949. After he finally disbanded the group,
he studied classical music. Beginning in the '50s, he relocated to
Los Angeles and did free lance arranging and studio work for
both jazz and pop artists. He wrote arrangements for Basie,
Gillespie, Benny Carter, Duke Ellington, Sarah Vaughan, Dinah
Washington, Ray Charles, B. B. King and Nancy Wilson, among others.
He composed and conducted TV and movie scores.
Gerald Wilson is best known for ten
highly acclaimed albums he recorded for Pacific Jazz in the 1960s,
beginning with You Better Believe It! in 1961. Here he is on
TV's Frankly Jazz performing the second-best-known version of
Miles Davis's “Milestones.” (The soloists are identified after
the performance. The intro and outro is "Blues for Yna Yna.")
Many of Wilson's compositions had
Spanish or Mexican themes. His wife, Josafina Villasenor, is
Mexican, and he was a bullfighting afficianado. “Viva Turado," featuring guitarist Joe Pass, was named for a Mexican bullfighter. In a different vein, one of my favorites, "Lighthouse Blues," features Roy Ayers on vibes.
Toward the end of his time with Pacific Jazz, he began recording pop hits in the hope of attracting a
younger audience to jazz. 1969's California Soul charted the
highest of any of his albums, but to most jazz fans, the quality had
declined. All his Pacific Jazz recordings are collected on an out-of-print Mosaic
box set released in 2000 which is well worth seeking out.
During the ensuing decades, Wilson
remained active, recording occasional albums for the Trend and
Discovery labels. He taught jazz composition at Cal State and UCLA. He composed for and conducted the LA Philharmonic in 1972. He hosted a jazz radio show on KBCA in Los Angeles from 1969 to 1976.
He had a comeback of sorts with the
critically-acclaimed CD State Street Sweet on the MAMA label
in 1995. Beginning in 2003 with New York, New Sound,
he recorded five CDs for Mack Avenue. The most recent was Legacy
in 2011. Here he is, in the studio, recording "Before Motown" from the 2009 CD Detroit.
Gerald
Wilson was nominated for six Grammy Awards but never won. He was
named a Jazz Master by the National Endowment for the Arts in 1990. Wilson's son is jazz guitarist Anthony Wilson and one of his daughters is married to Johnny Otis's son, guitarist Shuggie Otis.
You may also be interested in:
The Soundies #4 (Jimmie Lunceford)
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