John Henry Smith II was born June 25,
1922 in Birmingham, AL. His family moved to Portland, ME during the
Depression. Although he was too poor to afford a guitar, he worked
out an arrangement with local pawnshops in which he kept their
guitars in tune in exchange for the opportunity to play them. He was
largely self-taught and began playing professionally in a country
band at age 13. During World War II, he played cornet in the Army
Air Corps band. After the war, he came to New York to play in the
NBC Symphony Orchestra. He became interested in jazz after hearing
Django Reinhardt on the radio. He formed his first quartet in 1951
with Stan Getz, a fellow NBC studio musician.
Their breakthrough came in 1952, when
their recording of “Moonlight in Vermont” became a surprise hit.
He played the melody as a series of chords, rather than single notes.
His Washington Post obituary
quotes him as saying, “The hardest thing to do on the guitar is to
play a melodic chord progression in smooth, even fashion without
leaving space between chords. Then one day I noticed how an organist
managed to keep a tone going between chords by holding down one of
the notes of the chordwhile he pivoted to the next chord. I picked
up on that and applied it to chord progressions on the guitar.”
Smith's jazz quartets featuring Getz or Zoot Sims became a fixture on the New York jazz scene in the '50s, playing regularly at Birdland. He was a frequent Downbeat poll winner as favorite jazz guitarist. The now out-of-print Mosaic box set, The Complete Johnny Smith Roost Sessions, collects many of his best-known recordings. In 1954, he composed and recorded “Walk, Don't Run,” which became a hit single for the rock guitar group, the Ventures, in 1959, and was a welcome source of royalties. (Unfortunately, this song has been taken down, so I've made a substitution.)
In 1958, after his wife died in
childbirth, he left New York and moved to Colorado Springs to raise
his family. He said he never regretted it. He taught guitar (one of
his students was Bill Frisell), bought a music store, designed
guitars, played occasionally at Colorado clubs, and recorded
progressively less over the years, as his understated style fell out
of fashion. Many of his best-known recordings were only 3 minutes long. Here he is in 1981, stretching out on Frank Foster's "Shiny Stockings."
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